![]() Last September, MOCA announced a restructuring of its senior leadership, demoting Biesenbach from director to artistic director and hiring Johanna Burton as executive director the two were intended to co-lead the institution. Locks resigned from her role in early 2021, saying “MOCA’s leadership is not yet ready to fully embrace IDEA,” referring to the acronym inclusion, diversity, equity, and access. When Klaus Biesenbach joined the institution as director, he did not hire a chief curator, but instead named Mia Locks as senior curator and director of new initiatives. The position of chief curator at the long-embattled museum has been vacant since 2018 after Helen Molesworth was fired by then-director Philippe Vergne, who soon departed the institution. ![]() “Throughout my career, I have championed art through exhibitions, residencies, and commissions, driven by the fundamental belief in the possibility of cultural dialogue and exchange to transform individuals and communities,” Kim said in a statement, “As a diverse, multi-lingual, multi-ethnic city, Los Angeles is uniquely positioned to chart new paths and horizons for contemporary art and what museums should look like in the 21st century.” Previously, Kim was senior curator of visual arts at the Walker Art Center in Minneapolis and gallery director and curator at REDCAT in L.A. She also served as a co-curator of the 2018 Gwangju Biennale and the 2017 exhibition “Condemned to be Modern,” which was part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative. 'Too Often, BIPOC Candidates Are Asked to Come with Capes on for Rescue Missions': Museum Directors Reflect on an Evolving Profession Richmond Monuments Head to MOCA L.A., California Biennial Returns, and More: Morning Links from September 1, 2022
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